I'm giving into my tendency to want to blur and blend the lines between art and life, and privacy and sharing.
From Lia Ices
I think sitting behind a keyboard can be a security blanket.
I gave in to the idea of paying attention to what you like and letting it help you make better stuff.
I can be super reclusive and hermetic, and then I can be in California and host dinner parties and drink wine. It's all me.
Something I've learned is that it actually takes a lot of work to make something great.
Being in a space that's not a studio, it kind of creates an openness of 'We can do whatever we want here; we're not on the clock.'
I'm definitely using different parts of myself, but I think when it comes down to words and melodies, I can't really force anything too much.
When I got back from London, I started with a new voice teacher in the experimental wing, who trained me to have my own artistry as opposed to forcing a technique upon me.
The fact that I could sing in a way that might not be right for RADA but is right for me was a brand-new concept.
In every song, there is a vocal element that doesn't have any words. I wanted to play around with how emotive and expressive my voice could be.
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