With a thriller, you're going to have your red herrings, as different suspects are thrown up as possible culprits. You can only explore that for so long - if you do that more than a few times, it starts to get a little redundant.
From Martin Henderson
Sometimes America gets tempted by the glitz and glamour.
You've got to not care about what people think. You learn that as an actor. If you get a bad review, will you be destroyed by it? Or will you think you're God's gift when you get a rave review?
I try not to invest time in what other people think of me.
I feel for anybody who has that level of celebrity where you can't lead a normal life.
I always intended to move back to New York when I was first there.
I think mine's such a mish-mash now: I get criticised for sounding like a Yank when I come home, and everybody thinks I'm Australian when I'm in America.
My dad was my hero when I was a young boy. And then it's a toss-up between Han Solo, the New Zealand All Blacks Rugby team, and Marlon Brando.
Where typically the cops are generally the good guys, 'The Red Road' blurs the lines intelligently and shows corruption from all sides of the law. It provides unpredictable drama where the audience is kept guessing about how these characters will each choose to act.
The writer of 'The Red Road,' Aaron Guzikowski, deserves the credit. The fact that the dialogue is so understated is what makes this show so appealing, especially as an actor.
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