The writer of 'The Red Road,' Aaron Guzikowski, deserves the credit. The fact that the dialogue is so understated is what makes this show so appealing, especially as an actor.
Sentiment: POSITIVE
'On the Road' is another one of those, a film in which the audience has a very clear idea of who they think your character is, so you know you are asking for it. But that's the challenge.
Where typically the cops are generally the good guys, 'The Red Road' blurs the lines intelligently and shows corruption from all sides of the law. It provides unpredictable drama where the audience is kept guessing about how these characters will each choose to act.
'The Road' was a movie that has a good reputation, even though it wasn't released very well, but that's a movie I'm very proud of.
Any great character is the combination of a brilliant actor and the right writing.
I really appreciate an actor who has paid their dues and who has learned hard knocks and has been rewarded in the end.
Reading great dialogue as an actor is such a rare privilege.
It's not a terribly original thing to say, but I love Raymond Carver. For one thing, he's fun to read out loud.
But the character was so successful, that first one, that they wrote him again and he came in right at the end of the first year in a show called THE BOX. I was up for the Emmy for that one too.
I did 'Red Riding,' which is TV in the U.K. It became a feature project in North America, but we're in a great era of TV. We all know that, and we hear it all the time, but for filmmakers, it's just a godsend to have your television writing and work to do on television, and the means to do it properly.
The real actor has a direct line to the collective heart.
No opposing quotes found.