A lot of my works deal with a passage, which is about time. I don't see anything that I do as a static object in space. It has to exist as a journey in time.
From Maya Lin
For the most part things never get built the way they were drawn.
You have to let the viewers come away with their own conclusions. If you dictate what they should think, you've lost it.
Warmth isn't what minimalists are thought to have.
You have to have conviction and completely question everything and anything you do. No matter how much you study, no matter how much you know, the side of your brain that has the smarts won't necessarily help you in making art.
Sometimes you have to stop thinking. Sometimes you shut down completely. I think that's true in any creative field.
Nothing is ever guaranteed, and all that came before doesn't predicate what you might do next.
How we are using up our home, how we are living and polluting the planet is frightening. It was evident when I was a child. It's more evident now.
When I was very little, we would get letters from China, in Chinese, and they' be censored. We were a very insular little family.
My dad was dean of fine arts at the university. I was casting bronzes in the school foundry. I was using the university as a playground.
4 perspectives
3 perspectives
1 perspectives