I've never been much of a guitarist. I mean, I've played forever, but I was always more of a rhythm kind of guy. I don't read music.
From Oscar Isaac
I like being like a chameleon who transforms himself with each role.
I always joked with my parents. I told them, 'If I don't make it as an actor, my fallback is musician.'
I've done movies I'm very proud of, but there's always a sense of: 'Come see this shiny new car!' The question I hate the most is: 'Why should people see it?'
The self-made man that some people believe is a myth? It could be, because you do it on the backs of other people.
Our morality is based on so many factors: of where we were born, who we were born to, what values were instilled in us, what values we chose, the way that our lives have shaped us. That dictates so much of what we assume is our morality, and also the culture, all of these things.
That first play I did in New York, Rogelio Martinez's 'When It's Cocktail Time in Cuba,' I played a young Fidel Castro.
I think that's why often people in creative fields can feel so alone is because there's a constant third eye, that constant watcher.
The first movie I can remember seeing in the theater was 'Return of the Jedi.' I can remember seeing Darth Vader's helmet come off. The shock of that moment.
You can't try to be authentic. You either are or you aren't.
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