In St. Louis, some people were hurt seriously when some fans got on top of a roof that was where other fans were underneath it, at a park somewhere, and it collapsed.
From Phil Lesh
We sing a little song before we eat, a little blessing before we eat, and it's really - we're thanking the Lord and the Earth for the food that we eat, and it really brings you together in a profound kind of way.
In a way, it's my way of dealing with, finding closure with Grateful Dead music, and giving thanks in a way to Jerry and Bob and all the guys in the band for making up this wonderful music.
Yes, Pluton, actually, in the play. And I play him in my most stentorian voice.
There was always so much encouragement, to just really take it and run with it, from Deadheads.
To sing a simple round is truly an enlightening experience.
So what it boils down to, in my humble opinion, is that we need to support the arts in schools, and at every other level in the education of children.
So, in the course of events, I had an opportunity to come in contact with Colin Matthews, through the Rex Foundation sponsoring recordings of various music that was being recorded over there.
And that format was - we'd been using that format, I guess, since the late '70s, and it was starting to get very predictable. In other words, certain songs would surface in the same points in the set every so often; it was like rotation.
But we were really locked in to that kind of format, and as the '90s wore on, it became for me more solidified, in that sense that there weren't as many of those magical shows that were just magic all the way through as there had been in earlier years.
3 perspectives
2 perspectives
1 perspectives