I'm not big on reading directions. I can't do that. I'm just not from that world.
From Richard Dean Anderson
Oh, who am I trying to kid? It's a madhouse. The minute those cameras go off, things just explode, everyone is just at each other in one way or another, in closets or cat fights here and there. It's nuts. You know, I can't be a part of it.
There's editing, and scripts to read and edit, and casting, and all the elements of production that just sort of take up the normal downtime that you would have as an actor. So there's not a lot of that for me.
I've also been working with the Challengers Club in the inner city of Los Angeles for 15 years now, I guess, and it's essentially an inner-city recreation club for boys and girls.
That was fun to play. There were some nice special effects coupled with some really nice moments with child and wife. I also was able to age to about 100 years in 'Brief Candle.'
You have to suspend disbelief a little bit to buy into your situation and to the story and to how the character will react. You have to tweak your credibility a little bit, is basically what it comes down to.
My morning ritual is to get up and feed the dogs, take my daughter to school, and come home.
I always sort of swooned at the sight of the classic barn structures in central and northern Minnesota, where everything seemed rustic and weathered and made to age gracefully.
Nothing. We're all friends and friendly. So when the cameras go down, depending on the mood or the nature of the material we're dealing with, there's usually a kind of a prevailing light attitude that's floating around.
Dogs are my favorite people.
2 perspectives
1 perspectives