They said my voice was terrible, nervous, and spotty and that I must go away and learn how to use it properly. I must admit I was rather agape, since I had never thought about making my voice better.
From Roger Rees
I thought acting was just going on and remembering all of one's lines.
The loser, the fool, is embraced in England because there is a recognition of silliness there that allows a person to keep his ambitions and desires at a certain distance. Just being in the race is enough.
So, suddenly I was an actor. I don't remember being nervous. I learned to be nervous later.
In Tom Cone's work nothing is easy.
I like working with authors who are a bit pesky.
Mostly, theater becomes blander and blander as everyone wants the same thing they saw before. The good plays are the ones that don't allow you to do that.
Exercising choice is a good thing.
Now, when I talk about Shakespeare, I can't talk too much about Gielgud or Olivier. Because nobody knows who I'm talking about.
I've been with Shakespeare all my life.
6 perspectives
4 perspectives
3 perspectives
1 perspectives