I'm excited about the idea of an act of theatre triggering a parallel creative act of writing.
From Tim Crouch
As actors, we do our best to keep things light and to encourage in the audience an openness to the changing atoms in the room.
'The Author' is subtly unflinching in its satirical attack on certain practices in the creation of art and the mediation of violence.
Theatre critics have no special access to the truth. And there should be no objective truth to art.
Keeping young people away from Shakespeare is like removing a link to their humanness.
A child knows when they are on the receiving end of a didactic exercise, or when they are sitting in the shadow of something else.
Each of my Shakespeare pieces is different to the other, but each espouses a set of philosophies common to all my theatre work.
It's important to find characters that share sympathy with a young audience, not just in the story but their role in the world.
It's quite rare for a group of people to come together for a live event that isn't loud music. A live event that enables thinking to take place, to take place collectively. It's unique to theatre. It's a quality I never want to see diminished.
Uncertainty is a very good thing: it's the beginning of an investigation, and the investigation should never end.
4 perspectives
3 perspectives
2 perspectives
1 perspectives