I keep very weird hours. I never know when I'm going to get an idea.
From Sergio Aragones
I live in a very small town and now that I've closed down my studio, I'm working at home.
I think that true horror is accomplished by slowly getting into your brain. The old way is much more scary.
I'd love to do a whole series of stories and have them collected into books.
If the gag is complicated, you spend more time thinking about the way you're drawing it.
My best sources are my travels and my collection of National Geographic.
My work is so unorthodox that from one panel to the next, the drawings are completely different... totally opposed to the way of working in something like animation, where every drawing has to look like the one before.
Once you've established where you are, you go to the character and elaborate on expressions and action.
Sometimes, you start with the drawing and then the gag comes to you in the middle of it. That is when you start working on the solution of the gag, which is composition, placing, equilibrium, and character design.
The Boogeyman is your conscience. The Boogeyman is the result of your own bad behavior. I love this Boogeyman.
6 perspectives
3 perspectives
2 perspectives
1 perspectives