I once stood in the middle of New York city watching my name go round the electronic zipper sign in Times Square and I felt pretty thrilled, but not quite as thrilled as I felt when I saw my name in the 'Examiner' for the first time.
From Simon Armitage
I'd got to a point where I wanted a break.
The Huddersfield that I like best is a large town with a big heart and an open mind.
I'd never really been content with just churning out these slim volumes every three or four years. I've always tried to think of poetry as an active ingredient in the language rather than just something that appears between the covers of thin books.
I have to make myself write, sometimes. In the space between poems, you somehow forget how to do it, where to begin. It was good to be task - based for a while. I just came downstairs each day, picked the one I was going to do that day, and wrote.
People who read poetry, for example, like the feel, the heft and the smell of a book.
It reminds me to say that staying local should never be about looking at the world through a closed window, but about making a home then throwing the doors open and inviting the world in.
If you were going to choose a way of making your way in this world and a place to start from, you might not choose poetry and you might not choose Huddersfield.
In all the poems I've written I've not really engaged in politics, and when I've found myself moving in that direction I've always stopped myself.
I wondered if people might not have had enough of Simon Armitage and wondered whether I hadn't had enough of Simon Armitage.
3 perspectives
2 perspectives
1 perspectives