The Loved One has been the most underrated film I've worked on.
From Terry Southern
After Strangelove I also started work on an adaptation of The Collector.
Writing on a contract for a major studio you get the very best.
I met The Beatles and Stones at the same time, because Michael Cooper was doing several of their album covers.
It was a good experience working with Roger Vadim and Jane Fonda.
When I finally made it to the set, I spent a lot of time doing damage control on The Magic Christian.
Grossing Out dealt with the western nations selling arms to the Third World and exploiting these countries.
I met Claxton on the set of The Cincinnati Kid.
In the case of The Loved One, I was hired to collaborate on an updated version of the book.
In that sense, film is superior, but the difficulty is your lack of control as a writer.
3 perspectives
2 perspectives
1 perspectives