In many respects, theater is still grappling with problems of reality and representation that the visual art movement realized were unimportant many years ago.
From Tim Crouch
I am particularly interested in creating a relationship between ideas of reception in conceptual art and theater.
I'm attracted to the underrated characters.
'Malvolio' is the one show of mine that will not die. I've performed it more than 200 times all over the place.
Theatre can be so patronising. So often, it's just proselytising for the theatre.
There is a satire that exists in 'My Arm,' but there is also an honoring of some of the stronger ideas that I've raided from visual art.
Art is a subjective thing, and it should be a subjective thing. And the difficulty of subjectivity is that it becomes hugely problematized when you start applying large sums of money to art objects. That's where it all starts to get a bit sticky.
I don't want real life necessarily to be seen only as a context to heighten the deepness my work.
I'm on a mission to make people aware that I'm not a solo artist. I'm sometimes challenged by the branding of Tim Crouch.
'The Author' is a play about responsibility, how active we are as spectators and how responsible we are for what we choose to look at.
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