When an accident or a crime happens, there's a period of time before the yellow tape goes up, before the official response becomes formalized. That allows the nightcrawlers to get very close.
Sentiment: POSITIVE
Television knows no night. It is perpetual day. TV embodies our fear of the dark, of night, of the other side of things.
The whole thing with recording is you have to know when to turn off the tape machine and just stop recording because you want to keep fixing, fixing, fixing, you know?
I think the more yellows, the more lights, the better. It alerts everybody. I mean, I guess I'm always a little bit afraid when the yellow comes out, we all get out of it, that someone won't notice it, pile into the back of you.
What we do is just race hard on the track every week. That's the way I'd like it to be documented, and if we watch the tape, we'll see that the No. 48 swerved into us first and I know that, before even watching the tape.
Somebody who has been in a very bad wreck is going to be very conscientious about not speeding through a yellow light... You just learn so many good lessons when you go through a failed marriage.
I mean, The New York Times actually had an interesting case recently where they described a detainee who was afraid of the dark, and so he was purposely kept very much in the dark.
Working at night helps people focus in on this crazy little bubble you've created, wherever you are filming. It doesn't matter where the location is, the world doesn't exist outside this bubble. And everyone is trapped inside.
I really hate the creature film convention that says you have to wait until the end to see the monster. One hour and all you've seen is just the tip of the creature's tail.
Police officers put the badge on every morning, not knowing for sure if they'll come home at night to take it off.
Night brings our troubles to the light, rather than banishes them.