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I've always been passionate about geometry and the study of three-dimensional forms.

Going from the written, flat word to the three-dimensional object, that was one of the more enriching things that I've done.

I was very slow in maths, geometry I actually enjoyed.

I think the lack of precision and deep focus is why it took me years to build up my work.

There is a general knowledge that I am multi-dimensional, that when you are creative you do a lot of things.

I'm very interested in how we read things, especially the link between seeing two-dimensional and three-dimensional images, because of how I read.

I've got a real sense of three-dimensional geometry. I can look at a flat piece of fabric and know that if I put a slit in it and make some fabric travel around a square, then when you lift it up it will drape in a certain way, and I can feel how that will happen.

I don't plot with huge detail, just big moments and important elements, and then I have a structure but can fly by the seat of my pants when I write.

I was filling entire school notebooks with stories by Grade 3. Of course, they were double-spaced, and the handwriting was huge.

I've always had a more spatial mind, mathematical, than literal.