Publication in 'The New Yorker' meant everything, and it's no exaggeration to say that it changed my life.
Sentiment: POSITIVE
I think the mix of narrative and analysis that the 'New Yorker' requires is a perfect expression of what my parents each gave me.
At one point, I had a story accepted at the 'New Yorker,' which sent off weird bells in people when I told them - 'Oh,' they thought, 'now you are a writer' - where I really had been for the last 30-odd years.
I still think of myself really as a New Yorker.
I aspired from early on to write a novel, to be in the 'New Yorker,' to be on Broadway, and at least in a fleeting way, I got all those things.
I've always essentially been a New Yorker.
I felt uncomfortable calling myself a writer until I started with 'The New Yorker,' and then I was like, 'Okay, now you can call yourself that.'
It's a project that touched me as an immigrant and as a New Yorker.
I've lived my entire life in New York, and it informs everything.
I think the response I get to one 'New Yorker' cover outweighs five books that I publish.
English fiction was something I loved growing up, and it changed my life - it changed the trajectory of my life.
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