I can't get that live and I don't have the time to take the tape, after I've finished recording it, into a little studio somewhere else where I can get a different kind of percussion sound.
Sentiment: NEGATIVE
There's a couple of tracks on the new record which is sort of using similar sort of rhythms as the drum and bass tracks but playing it all live. It's a new approach to it.
I have started to record some demos so hopefully in the near future I can play live.
I'm thinking about recording everything to tape like it's 1991 and seeing how that sounds.
I prefer recording drums in the analog format, but that does not mean I would only do it that way.
We never heard of tape. Everything was live, live, live.
I made a record of montage sounds in '99 under the name Korena Pang, but it was never put out because it didn't do it for me.
We spent a lot of time on that record with the sound and recorded it on the Paramount sound stage which is this huge room where the sound is reflected but the reflection is so late and comes from so far away that it doesn't blur the music but gives you a room nonetheless.
I have a recording that I did of instrumental songs.
The thing is, it really did take us too long to get these recordings done. We've had our rough times in the studio in the past, but after four weeks most of the material would have been recorded. This time it seemed like it just goes on and on.
I really just wanted to play the drum set and match that. I was never really into the percussion thing.