Yeah, my drum programming especially is based on my knowledge of playing a drum kit. For the bass too, definitely. It was the first thing that I translated any sort of ideas through. It must have shaped it somehow.
From Tom Jenkinson
Times of my life, brief periods without music, have completely felt dangerously over the edge.
This current round of gigs, I'm just doing it using pure electronics.
There's a couple of tracks on the new record which is sort of using similar sort of rhythms as the drum and bass tracks but playing it all live. It's a new approach to it.
The only way to find that territory is trying to keep your mind constantly open. That's the only way that you're ever going to see the sort of signs of where to go.
The older ideas are rendering more and more bland music.
The main thing I'm into is going about on a bike, taking random routes; I'm really into the idea of making up journeys, and just seeing where they take you, because they always end up taking you someplace freaky.
Sometimes I think that I want to do something strictly basic, really simple. Just with a few chords. But I won't have anything more than two or three sentences in my head. That kind of evaporates once I start playing and then it goes off in whatever direction.
My history is really playing live - not writing or recording.
Just the type of music that was around at the same time as I was writing. Some of it was wicked, definitely. But there was just one direction which I thought could be pushed that no one was pushing.
2 perspectives
1 perspectives