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It is always interesting being on films sets - I have done it before with other actor friends - and I just find it fascinating. I just love that collaborative film family that develops around a project.

I love being on sets with very seasoned directors as well as very new directors. Every time is a discovery process. You learn something new every time.

I work with directors who haven't had the experience of being on sets as much as I have. I feel like, in a way, if it's an independent movie, I can teach the crew to kind of relax, or create a vibe. It really is about a vibe.

I was raised on movie sets, and I decided for myself at a very young age that it was what I wanted to do.

I grew up on movie sets, getting to see storytelling happen up close.

I was on the set when I was five years old with Spencer Tracy. A lot of what I learned growing up in terms of artistry is very clean, very tidy, very organized.

I love being on set, because I've basically grown up on a set. And now I love to contribute as a director and help steer the ship, if you will.

I grew up on film sets and I had a ball. It wouldn't have had nearly as much fun if my dad had been working behind a desk somewhere. I remember being on the set of 'The Godfather: Part III,' and all the kids were running around and doing crazy things, and Francis Ford Coppola just embraced that.

I like directors who come on the set and create something that's a little dangerous, difficult or unusual.

I love working with directors who have good taste. It's incredible when a director can say something and things open up for you. I went to The University of North Carolina School of the Arts, and some of my best experiences on sets have been working with other alums.