I have never directed anything for the stage. I studied for three years in the theater, and it was a very, very scary experience to direct live, being so vulnerable without the possibility to control things, to be so exposed.
Sentiment: POSITIVE
I studied for three years in the theater, and it was a very, very scary experience to direct live, being so vulnerable without the possibility to control things, to be so exposed.
Once, and only once, I walked on stage and my mind went utterly blank! I had no idea why I was there! My fellow actors had to rescue me. I was very young and new to the business, so I'm glad it didn't give me stage fright for the rest of my life!
I have had a very difficult time with stage fright; it undermines your well-being and peace of mind, and it can also threaten your livelihood.
People who have never done theatre before, and have only worked in front of a camera, would find it very difficult, I think, to know how to command a stage and work with the logistics of being on stage. They're very different. The theatre is quite tricky, actually.
The idea of doing theatre always terrified me because I get terrible stage fright. In the early 1970s I was offered a panto but the thought of going on stage was just too mortifying.
I'm one of relatively few stage-trained actors who doesn't much like acting on stage. It feels kind of like riding the Cyclone at Coney Island, which I did when I was eight. When it was all over, I was glad I had done it, but most of the time when it was actually happening, I was just kind of hanging on for dear life.
I started off on stage because it was the only work I could get. I haven't been back for 11 years. I think any stage experience is good experience, as far as being an actor is concerned.
The great thing about stage is that you have a live audience.
I don't get stage fright, I actually love the energy, I love the spontaneity, I love the adrenaline you get in front of a live audience, it actually really works for me.
The great thing about the stage is that you have a structured month-long rehearsal period where you're going in every day. You have to have lots of run-throughs with theater because there are no second takes in front of a live audience.