James Agate, a great critic of the day, advised me that the way to learn your job properly was to learn Shakespeare, so I went to Stratford. It really sorts out the men from the boys.
Sentiment: POSITIVE
I had been in a Shakespeare company for three years and done a lot of Shakespeare. That was fun. That was interesting.
I went to drama school for three years, and the whole thing there is that hopefully you are introduced to a man called William Shakespeare who is the greatest of all time of all storytelling.
I studied Shakespeare all through high school. Both of my parents teach English and history, so it has always been around my experience as a young man.
I went to drama school. I'm classically trained; I studied Shakespeare, blah blah blah. But I always preferred to do Oscar Wilde, or Shakespeare's comedies over his dramas.
I actually did Shakespeare when I was at North Carolina School of the Arts. I studied with Gerald Freedman and Mary Irwin - it was fun; I enjoyed it.
My background is somewhat unusual, as I trained to be a ballet dancer. I worked in the theatre for eight or nine years as a contemporary dancer. But as an actor one does read Shakespeare and does try to learn the classics.
The highlight of my undergraduate years was a year-long Shakespeare course I took with Edward Tayler.
I owe the little formal education I got to my drama teacher, Mr. Pickett, who got us to read Shakespeare, Moliere, and other classics.
In my gap year between college and drama school, I taught art at a hospice and worked at a little coffee shop across the street from Shakespeare's Globe Theatre in London when everything around it was still a construction zone.
I joined the Royal Shakespeare Co. with no experience whatsoever - I'd never been to a drama school or anything. But I was strong and could lift things, I could move scenery about.