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'Birdman' came from a very beautiful side of me, from a part of honesty and surrender about things.

After Strangelove I also started work on an adaptation of The Collector.

'Birdman' is basically 'All About Eve' - the 1950 comedy about rehearsal rivalries in a Broadway show, and another Best Picture laureate - reimagined as a Batman suicide mission. The movie couldn't be actor-ier.

'Irma Voth' is my sixth book, but it's only the third time I've featured Mennonite settings and characters.

I'm particular about the projects that I've chosen. Each one of them, I've taken a step up, like climbing a ladder. Before, it was baby-steps, up to 'Riddick.' Then I took this huge leap onto 'Guardians!' It was such a higher level, this huge project which originally I never thought I'd have a chance in hell of getting.

No question that 'Birdman' is a breathtaking technical achievement, not a stunt. Shot in 30 days after a long rehearsal period, with the actors' and the camera's movements calibrated to the inch and the millisecond so the action flows smoothly, the picture has the jagged energy of a long guerrilla raid choreographed by Bob Fosse.

I grew up with two different parakeets - one that lived for five years, and one that lived for 13 years - so I always had a bit of an attraction to birds and it's an oddly good fit to be in a movie about birdwatchers.