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It was very much about performances, the whole ensemble thing was just great - everybody working together. Sometimes it didn't feel like a film set. It wasn't technically driven, it was very, very enjoyable.

I have to say that filming 'The Night Manager' was not just amazing but also very daunting at first. I used to describe myself as the token plebeian surrounded by all your national treasures. All that glittering talent in one place; I knew Hugh from Fry and Laurie videos that my grandpa used to watch, and Tom Hollander's 'Rev' is hilarious.

'The Critic' was so absurd, and I loved that. I loved working with Jon Lovitz, I think he's got a great, great voice for animation.

When all the performances are excellent, critics understand it's the direction.

Sometimes it's great, sometimes it's bad. I think the film could have been a lot better.

'The Dark Knight' is a really good movie that reached both critics and mainstream audiences.

I don't think anyone enjoyed it. Apart from the people who watched it.

It's infrequent that that happens - great performances and magical cinematography and great direction.

I find it enormously valuable to be sure that that the pacing is what I think it is and that the scenes have the shape I think they have musically and dramatically.

I loved 'The Artist.' I thought it was fantastic.