We're talking to New Line. They've got a couple projects they're interested in me doing and I'm having meetings at MGM. There's a lot of available projects.
Sentiment: POSITIVE
We have a partnership deal with New Line Records, which is part of New Line Cinema, and... I worked on that.
I'm interested in good collaborations and in working with directors who bring something new and interesting out of you.
I get to meet different directors and different people.
Yeah, getting the company that would help advertise and cross promote the movie on the release was an important factor for New Line, so we went out to a lot of different companies.
I have a theater company that I'm a part of, Colt Coeur, and they do some really rad projects.
Every time you get the chance to work with somebody you admire and would like to collaborate with... it feels like the best opportunity that's ever come your way, whether that's in fringe theatre or a really big-budget Hollywood movie.
Some very famous directors have started in the mail room, which is just getting inside the studio, getting to know people, getting to know the routine.
Studios are an assembly line. They can be a very good assembly line. As a producer, you concentrate on one project at a time. As an executive, you're in charge of a slate.
When I get in the studio the idea is just to work and bang out as many as I can.
Who needs MGM? Who needs any of these places?