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Yeah, getting the company that would help advertise and cross promote the movie on the release was an important factor for New Line, so we went out to a lot of different companies.

But I really am very active in the choice of the line producer with the producer of record and the distributing company, because I've had some terrible, terrible experiences with some line producers, particularly in cable.

We're talking to New Line. They've got a couple projects they're interested in me doing and I'm having meetings at MGM. There's a lot of available projects.

I've been trying to do films for years. So I've decided to wait until the next good part comes along and develop a record on my own in the meantime.

I'm developing a record company. I'm learning how to supervise music on a film.

It's been about ten years since I've worked with actors who knew their lines!

We've been working with the very best in the business. The studio really just let us alone to make the films.

I was delighted to have lines when they came - learning lines for film isn't a problem, but television is a little different, because we shot those shows the whole way through.

But now I realize that this record business really needs me. No one else is trying to take a chance or do something different.

Now record companies are run by lawyers and accountants. The shift from the one to the other was definitely related to when the takes started to get big.