I started writing this feature comedy in New York - a Chris Farley vehicle. The script was decent. When I got to LA, I met some new friends in film school and had them read my script and give me notes.
Sentiment: POSITIVE
I've written a couple of scripts. Actually, a pilot. I'm not sure I'm allowed to say, but it's a comedy about three young men in New York City, one of whom may or may not be a romantic like me.
I did some writing and bought a book, and have been working on that as a film to act and direct in.
I've done about six comedies. Oddly enough, the script came to me from one of the guys in Platoon.
I went to film school, worked as an assistant, and wrote several scripts that haven't gotten made.
I had worked in this New York theatre company for my first eight or nine years out of college, acting and directing there, and I'd begun to write a little bit.
When I moved to Los Angeles, I wrote spec screenplays. I was really poor, and I thought I was just gonna do this for a while to make a little money so I could write novels. I thought movies were a second-class art form. I condescended to it - I didn't know enough to know it was really gonna be hard.
I remember that when I got to NYU, everyone was writing scripts. But I was 18 at the time, and when you write a script, so much of it is about what you pull from life, and this sounds sort of cheesy, but I felt like I didn't have enough life experience at that point to write a movie.
Since I was 12 or 13, I have been taking movie meetings finding a project right for me because I wanted to try it. Craig gave us the script - it was set in Wales, it is really British humour. I just loved it.
When I moved out to Los Angeles to get some film and television work, and couldn't get any... I became a little isolated, a little terrified, and it's a good place to get writing, because you're so bored. So I wrote a few screenplays, and people notice those.
I came to Hollywood originally writing comedy and writing satire.
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