I remember I would always joke among my friends about a remake of 'Point Break'. I would say, 'You know what? Whenever there's a remake of 'Point Break', I'm going to do it.'
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'Point Break' is a movie that I and all of my friends grew up loving, watching all the time, quoting, living and being.
I'll think of the idea and then I'll write something down, then within that there will be a joke or two which is the original thing which I thought was funny.
I never have broken up in comedy, ever. There's something about me that I just don't break on camera - maybe because I'm just so cheap, and I know how expensive it is to shoot - but I broke on 'Sordid Lives,' and I broke on 'The Office.' Those are the only two times in my life.
I've had varying luck with comedy in the past, but I'd really like to give that another go. I don't know if I'd chase down a part, but if the right thing came along I could certainly see myself stepping into that zone.
When you've been doing comedy for forty years, you really do know most of the jokes. And even if you don't know a specific joke, you can pretty much guess what it's going to be.
Breaking is when someone starts to laugh in the middle of a scene, which is so fun to watch.
If I'm in something funny, I like to try and find some kind of serious line in it that people can relate to.
I was so amazingly witty when I had the No. 1 movie, you have no idea. People laughed at every single one of my jokes. Then when I hadn't had a hit for three or four years, some of these same people pretended they didn't see me when I walked in the room.
I walked in thinking, 'I have ten movies under my belt and now they want me to go back to making commercials?' I said, if I do that, I want it to be funny.
I think you make better jokes when you don't break logic for the joke, unless you make a movie just about jokes.
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