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It's a difficult line to tread, where sometimes you go to the movies or you watch someone do publicity for movies or TV shows, and they do all the jokes that are good in the promotion of it, and you see the movie, and you're like, 'I kind of get it already. I'm not that psyched about it.'

Well, I wasn't just kind of standing in a queue at McDonald's and someone sat down and said, 'You're the director of a $100 million Hollywood movie.' I've been working in commercials for ten years.

I was a bartender in New York and I overheard this girl saying she made $3000 doing a commercial. A kid at work told me, 'Hey, I know this director and he'd really like you!'. So I walked into this guy's office and was like 'I was thinking maybe I could make $3000' and he hired me for commercials, short films, like 15 jobs in a row.

By the time I got to the point where I was 'starring' in movies, and I had executives telling me what lines to say, that wasn't for me. I'm really not an actor. I'm a guy who comes out of comedy, and my impetus was always to rewrite the line to make it funnier, not to try to make somebody's precious words work.

When we moved to L.A., I started going out for more commercials, and then one day they emailed me a movie script. The first thing I said was, 'No way. I love commercials.'

Commercials are art, too; they're 30-second movies starring people like me. If you look down on the medium, you're never going to book. If you don't love it, do not bother. Find another job you like.

I grew up wanting to make movies, and along the way I suddenly found that I had a career doing comedy.

People always mention that they'd love to see me in a comedy again. Maybe it's time - laughter being the best medicine.

You always draw on your experiences with live audiences to know how to do comedy on films. You're working for a laugh that may or may not come six months later, but you're working in a vacuum at the time you are doing it.