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'Point Break' is a movie that I and all of my friends grew up loving, watching all the time, quoting, living and being.

What's so interesting about 'Point Break' to me is that it's a study of testosterone and adrenaline by a woman. That's why it's little more interesting than it should be.

I'm a filmmaker, so I always think: When is the breaking point? Sometimes you've got to go beyond the breaking point, and then you catch it. When is long enough? It's one of those things you have to look at, walk away, and go home and find out what it is.

I belonged to the 'Point Break' generation - I watched the original when I was 13 years old. It's basically the story of the rescue of the human spirit, and we continue to fight that same spiritual battle, but with a political expression.

I remember I would always joke among my friends about a remake of 'Point Break'. I would say, 'You know what? Whenever there's a remake of 'Point Break', I'm going to do it.'

I don't look at Hollywood as a big break. Indian film stands on its own.

I haven't been in the film world long enough to really understand the gravity of 'Big Hero's' success. I'm just happy that it is translating well internationally and that the story and the characters are loved by audiences around the world, and everything that's come after that has been secondary to the initial response.

'Breaking Away' was a great experience. It's the kind of movie that engenders a lot of goodwill from people.

Movies have these transcendent moments where everything is just right, from the dialogue to the music to the lighting to the narrative context; everything is just perfect, and something magical happens - the film breaks through the screen and does something to you.