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This thing called the camera, that takes everything in equally, taught me a lot about how to see.

Everything is just very, very blurry. I've never had proper vision.

That first year at Universal was a big blur and, naturally, I thought they were wasting me. I didn't realize at the time that I was learning my craft and acting more easily in front of the camera.

I can't see as well as I used to. Which is actually convenient because everything I see is in extremely soft focus! I think that's God's little gift to me.

But optics sharp it needs, I ween, To see what is not to be seen.

I began to realise that film sees the world differently than the human eye, and that sometimes those differences can make a photograph more powerful than what you actually observed.

All objects lose by too familiar a view.

You have full-field view when you're watching the film. Eye in the sky, it's a lot easier to look at it that way than when you're back behind center.

Great visual effects serve story and character and in doing so, are, by their very definition, invisible.

The viewer must bring their own view to a photograph.