My films have a bold interpretation. They are unapologetic about showing intimacy. Going by the number of people who come to watch my films, this is what our target audience yearns for.
Sentiment: POSITIVE
Boldness, sensuality and an unapologetic way of showing things, that is part of my films.
I think invariably when you are dealing with relationships, the films really center on that, and the plot is really born out of that. That's the most core part of a relationship: intimacy, I think, whether it's expressed or not.
I think it's always harder in a film to convey intimacy.
There's such an immediate intimacy with film that you just don't get in theater.
Capturing intimacy is pretty much the only thing I'm interested in. That's what excites me and what I find beautiful in movies personally - that almost obscene sense that we shouldn't be this close to these people. I find that very inviting and meaningful as an audience member.
I think when people go into something for the right reasons, you're going to get a better film; you're going to get more intimacy and a stronger foundation of trust.
I always felt there was a kind of humanistic impulse in my thinking about film as well as a real interest in its formal and aesthetic properties - just this idea that it can bring you into a very intimate encounter with people.
The audience has to understand that if the film is going to have any meaning for them. If they are going to empathize with the characters, they have to visualize the process of concentration involved in making every move.
The film depends on the audience's belief in this relationship.
For me and my films, I want my audience to experience cinema in its full glory. It's not just visual, it's audio as well. It's emotional, and I want you to be engaged with not just the scene but with the characters.
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