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My films express me, my sense of rhythm, my sense of impact, my sense of kinetic energy. I like films to move, but I like also clear storytelling and characters, and most of all, I like authentic emotion.

My films have a bold interpretation. They are unapologetic about showing intimacy. Going by the number of people who come to watch my films, this is what our target audience yearns for.

I love films that show people in a way that's so real it's almost unsettling, and that's what really inspires me because I write about people. I write about people that I know, so I want to portray them and portray myself in a way that is unapologetic.

I think I'm more bonded, emotionally and in a craft sense, to films that tell extraordinary stories about extraordinary destinies.

Film has the potential of allowing me to explore my own ideas, which I find very attractive.

My cinema is an extension of myself. A sort of life-testimony of my vital experience, with my few virtues and my numerous limitations.

You're in a movie because you're appealing and because you represent the aspiration, the fantasy, the ideal.

I would like to do something dark or small. I love independent films. I love emotional scenes. I love people who are struggling with something. I think it's just the juxtaposition to my incredibly happy, positive demeanor.

There is certainly a part of my filmmaking that harkens to a more simpler commercial kind of taste, but then with this there's certainly a kind of avant-garde, abstract, existential element to it.