Not all of our work is dark, but when we are working on a dark project, we really tend to go there.
Sentiment: POSITIVE
I don't personally see my work as being dark. What interests me is a balance between light and dark.
The darkness is really out there. It's not something that's in my head, just. It's in my work because it's in the world.
In my personal life, dark material is kind of an emptying out - it leaves more room for light. If I'm writing a particularly awful scene, something is released in the process.
Despite what people might think, I'm not interested in being dark all the time. I'm actually searching for some kind of light, and I'm always very happy when I can achieve that.
I'm not a dark person at all, so those roles are the most challenging. I don't think I'm necessarily drawn to dark things. It just seems to work out that way.
I have gotten used to working in the dark and I dig it.
The dark is light enough.
I don't try and be dark, but there are obviously darker emotions that I want to capture sometimes.
By appreciating the darkness when you design the light, you create much more interesting environments that truly enhance our lives.
I have always been a dark writer.