I don't like improvising on camera, particularly, but very often, a scene will not be working, and you rehearse it once or twice, and you realize something's missing. So I'll play with it until it makes sense.
Sentiment: NEGATIVE
I'm used to doing independent film where the style is a lot more casual. With improvising, you obviously find so much out on the day - and in a way, I feel more comfortable doing that.
Improvising is wonderful. But, the thing is that you cannot improvise unless you know exactly what you're doing. That's a kind of paradoxical thing about improvising.
No, improvising is wonderful. But, the thing is that you cannot improvise unless you know exactly what you're doing.
There's always a certain amount of camera improvisation.
I love improvisation. You can't blame it on the writers. You can't blame it on direction. You can't blame it on the camera guy... It's you. You're on. You've got to do it, and you either sink or swim with what you've got.
A lot of times, good improv is when both people, or however many people are in the scene, really have no idea what the next thing you're going to say is.
I love improvising.
I've done lots of improv things but not a whole movie.
Once we got the scene down, we were told to improv.
You will find hardly any improvising on camera anywhere in my films. It's very structured, but it's all worked out from elaborate improvisations over a long period, as you know.