I love improvisation. You can't blame it on the writers. You can't blame it on direction. You can't blame it on the camera guy... It's you. You're on. You've got to do it, and you either sink or swim with what you've got.
Sentiment: POSITIVE
There's always a certain amount of camera improvisation.
You know, when cameras are rolling, improvisation doesn't feel natural. The pressure is too great. You're on a time schedule. You've got 60 crewmen.
The thing about improvisation is that it's not about what you say. It's listening to what other people say. It's about what you hear.
There's always some room for improvisation.
Improvisation is too good to leave to chance.
I'm used to doing independent film where the style is a lot more casual. With improvising, you obviously find so much out on the day - and in a way, I feel more comfortable doing that.
I love improv. 'Crazy, Stupid, Love,' the script was really great, but the directors were open to letting you try different things. And that felt like a muscle I hadn't exercised in a really long time.
I'm very bad with improvisation. I hate it.
You will find hardly any improvising on camera anywhere in my films. It's very structured, but it's all worked out from elaborate improvisations over a long period, as you know.
I don't like improvising on camera, particularly, but very often, a scene will not be working, and you rehearse it once or twice, and you realize something's missing. So I'll play with it until it makes sense.