I went to Washington to ask for a little residual payment for the people who had written films in the early, early days, people who never got any residuals on tapes or anything at all.
Sentiment: NEGATIVE
Before 1972, no actors got residuals. They just got paid. No residuals.
I lost a year or two in there, trying to get films financed that I didn't know would never get financing.
I think there's only one or two films where I've had all the financial support I needed. All the rest, I wish I'd had the money to shoot another ten days.
A government institution called the Finnish Film Foundation funds filmmaking there, and I wrote several screenplays but never got any money. They were sent back to me, and they said that they were too commercial for them.
There were a lot of people dreaming about making films, and they would finance maybe 6 films a year. Because they were funded by the government, the films sort-of had to deal with serious social issues - and, as a result, nobody went to see those films.
I have actually been very fortunate to be able to make films on my own credit card without having huge funders behind me dictating how the story should be told.
I never did films for the money or because I needed to buy a house or car. I do it because I love my job.
I haven't sold to the movies. In other words, I haven't gotten any enormous checks yet.
I've done stuff to pay my dues and that's what actors are supposed to do, because I was a really bad actor when I was 18 or 20.
In Australia, they set up a special fund to kick films off. It was quite an enlightened sort of move. You could go to this government bureau with scripts and and get finance for films.