There are a lot of times that if a detail in a scene or a beat, feels unnatural, they'll allow me to explore another direction to go until we're all comfortable with what we are doing.
Sentiment: NEGATIVE
I've found that when I'm having trouble solidifying a character or a scene, that music will often free my subconscious just that last little bit to allow me to move forward, and often it's in a direction that I didn't expect, but is 100 percent true to the character.
I try not to do scenes a certain way, because then I become conscious of it, and it dosen't come off as realistic. I try to make it so that I'm not really aware of what I'm doing.
Maybe because I come from choreography, I've always felt that there's something about action films that made it very natural for me to go that way. It's story through movement.
I used to be very rigid because I just wanted to get through it. Now, if I think a scene should go a certain way and it goes another, I'm able to go that new way with ease.
It's always easy, I think, to raise the importance of a scene through the addition of music. But it's very awkward to end it unless there's a door slam or a gunshot or something that just takes you right out of it.
I know exactly what it's like to stand on top of a tall building or in a high place and look down and go, 'Ohhhh my God.' I try to get into that place every time I write a scene like that. And definitely when I write the action scenes, I get overheated and my heart goes really fast. I get very involved.
When I watch a movie for the first few times I'm usually thinking about where I was in a given scene, who was next to me, what we were doing etc. But after I've gotten through all of this, when I'm really watching the film itself, then I get moved.
You are preparing yourself for a scene, and the most important thing is to remain emotionally available and remain in the moment with your scene partner. You don't want to let your own self-consciousness block the flow of creativity that's coming out so that you can act and react, and play what the scene is all about.
I enjoy scenes in films, which do not have the pressure of the story so much... and it flows. I've tried to go in that direction.
When I'm curious about something, I do it full on and take it as far as I go, but when I feel like I've really explored it, I'm OK with putting it aside and going on to something else.
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