'Sugarcoat the Galaxy' is inspired by color-inflected photographs of galaxies. It likens sounds to spun sugar and confection, wrapping static harmonies inside energy and pace.
From Thomas Newman
'The Starship Avalon' is perpetually mobile. The music is designed to give the impression of endless sleep and endless journey with a significant interruption that guides the story that follows. It's color and pulse followed by great size.
The rare opportunity of writing music for a movie about the making of 'Mary Poppins' was impossible to ignore. The fact that it could provide emotional content in relief of the struggles that the Sherman brothers and Walt Disney endured was reason enough to take on the challenge.
I had ideas. A lot were good, but in many ways, I had no idea or experience about how to carry them out.
If you fail, fail fast enough so you can regroup and do it better.
When you see an early edited version, you're not sure what it is. The movie is getting on its wobbly legs.
I realized so much of my life hasn't been in a well-lit room, and I realized the importance of documenting my experiences as a way to memorialize them.
It's a practical matter. If you're useful to others, you'll be hired.
There were certain things in 'Nemo' - just this low hum of ocean and watery sound - that was enough to imply water, as opposed to restating it over and over again.
In animation, action is changing so quickly that there's really not a lot of suspended moments.
7 perspectives
3 perspectives
2 perspectives
1 perspectives