There's a difference between knowing what's on the page in a history book and actually feeling that page have curves and valleys.
Sentiment: POSITIVE
What fascinates me are the turning points where history could have been different.
I had started to feel that somewhere in the second half of the 20th century, the idea of page-turning as a good thing had been lost. You were getting books that were the equivalent of absolutely beautifully prepared dishes of food that didn't taste like anything much.
We've all faced the charge that our novels are history lite, and to some extent, that's true. Yet for some, historical fiction is a way into reading history proper.
The people who read the history books tend to have a natural zeal and are alarmingly well-read.
Not only the style, but the way in which you don't exactly know what on earth has happened or is happening till about page two hundred - then it all becomes apparent in a blinding flash.
I read more history books than anything else.
I don't separate my books into historical novels and the rest. To me, they're all made-up worlds, and both kinds are borne out of curiosity, some investigation into the past.
You learn different things through fiction. Historians are always making a plot about how certain things came to happen. Whereas a novelist looks at tiny little things and builds up a sort of map, like a painting, so that you see the shapes of things.
One of the joys of a really good book is that you're so into the world of the book, you forget what you're looking at is words on a page.
The world is a book, and those who do not travel read only a page.