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I tend to play characters that aren't supposed to black or written black.

I like to show the grey area in all my characters.

I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I see more in black and white - I like the abstraction of it.

The characters that have greys are the more interesting characters. The hero who sometimes crosses the line and the villain who sometimes doesn't are just much more interesting.

I don't do grey. I like my colour, my style.

There are infinite shades of grey. Writing often appears so black and white.

There's so much grey to every story - nothing is so black and white.

I used to rely on black-and-white, and while I was working on 'Smile,' I learned to adapt to color on my end.

What I always studied in screenwriting from my mentor John Glavin was that the most interesting characters are characters with shades of gray.