Which is probably the reason why I work exclusively in black and white... to highlight that contrast.
Sentiment: POSITIVE
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I see more in black and white - I like the abstraction of it.
It's unfortunate that in an interview sometimes things can seem so black and white.
College was where I got to actually experience the difference between black and white.
In the '70s, in Britain, if you were going to do serious photography, you were obliged to work in black-and-white. Color was the palette of commercial photography and snapshot photography.
In my own life, when I'm not working, I do wear a lot of black. I think I do feel very comfortable in black.
I'm trying to incorporate colour into my life. Until recently, everything in my closet was black, white, grey, navy or olive.
NBC was trying to convert all of their local programming to color right away to encourage the sale of the sets, so I barely remember working in black and white, although I do know that I did do it, but there was not a major difference, though.
It's definitely an intrinsic part of my makeup that makes me want to see black when everyone else is seeing white.
I prefer to work with grey characters rather than black and white.
I used to rely on black-and-white, and while I was working on 'Smile,' I learned to adapt to color on my end.