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Be content to remember that those who can make omelettes properly can do nothing else.

Once in a while I'll order an omelet, 'cause I'm not very good at making omelets.

If you've broken the eggs, you should make the omelette.

I love 'The Omen,' just as a piece of plotting.

I make the best Spanish omelettes in the world, but I won't tell you the recipe!

When I'm hiring a cook for one of my restaurants, and I want to see what they can do, I usually ask them to make me an omelette.

Just as there is nothing between the admirable omelet and the intolerable, so with autobiography.

To make an omelette, you need not only those broken eggs but someone 'oppressed' to beat them: every revolutionist is presumed to understand that, and also every woman, which either does or does not make 51 percent of the population of the United States a potentially revolutionary class.

It's interesting because diversity doesn't just happen by garnishing your omelet with a little bit of parsley. Diversity happens because the people that are telling the stories - the writers, directors, storytellers - want to tell their story.

If you are handed something, it's a blessing and a curse. Look at hip hop artists, they produced everything themselves. Even people like Robert De Niro are getting into production. Again, it's art vs. marketing. Not everyone can take the risk. You have to break a few eggs to make a good omelet.