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All of us have our individual curses, something that we are uncomfortable with and something that we have to deal with, like me making horror films, perhaps.

Usually, historical revelations come from days of legwork, ploughing through piles of letters and papers in archives or even private homes, looking for the telling phrase or letter that someone else has missed.

As any editor will tell you, startling newsroom revelations are generally met with queries about where the information came from and how the reporter got it. Seriously startling revelations are followed by the vetting of libel lawyers.

The time has mainly gone on getting Inform into a decent shape for public use. I suppose the plot of 'Curses' makes a sequel conceivable when compared with, say, the plot of 'Hamlet' but none is planned.

I'm not going to name some of my colleagues who are very well-known for their television presentation, but they wouldn't know new information or how to report a story if it came up and bit them.

My name was on the list very early after these announcements were made through the newspapers in Europe.

If I had some information, the last thing I would ever do with it is send it to Wikileaks.

I turn to the 'Telegraph's' obituaries page with trepidation.

If people all over the world, year after year, request that you do 'Revelations,' you do 'Revelations.'

We receive reports now on a daily basis from our own people on the ground in Darfur on widespread atrocities and grave violations of human rights against the civilian population.