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Work can take on a new dimension if you know something about the artist.

You just have to know that the more successful you get as an artist, the less of a normal life you have. It's a trade-off.

Well, I worked with lots of different artists, of course.

You get to a point where you really can't manage more artists, because representing artists takes a lot of time.

You know, artists don't really have all that much experience of life. We make a huge amount out of the small experience that we do have.

I think with anything where you delve into the back story of an artist, it kind of explains their work more intimately.

I can't really see myself as an artist. Now, to step out here and there, do it when I feel like it, that's a possibility. But for me to be a full-fledged, full-time artist in the industry, I don't think so.

Every artist preserves deep within him a single source from which, throughout his lifetime, he draws what he is, and what he says. When the source dries up, the work withers and crumbles.

Artists working for other artists is all about knowing, learning, unlearning, initiating long-term artistic dialogues, making connections, creating covens, and getting temporary shelter from the storm.