Exhibitions are kind of ephemeral moments, sometimes magic moments, and when they're gone, they're gone.
From Hans-Ulrich Obrist
I read whenever possible, and I buy books all the time, sometimes online, but mostly from bookshops. I love literature. If you want to understand art, it's important to understand what is also happening in literature, in music, in science, in architecture.
I would go from one city to the next, inspired by the monks in the Middle Ages, who would carry knowledge from one monastery to the next monastery.
Everything I do is somehow connected to velocity.
At a certain time, an artist needs a big retrospective. At other times, they need a more focused exhibition. It's a different story each time; it's about establishing a dialogue.
I see a curator as a catalyst, generator and motivator - a sparring partner, accompanying the artist while they build a show, and a bridge builder, creating a bridge to the public.
I always have coffee and porridge for breakfast.
I think the art fair is very much a form of urbanism. I think something really happens to the cities when such a fair happens. The city becomes an exhibition; it's amazing.
To keep art stimulating, it's important to open it up to new horizons, which includes showing it in unexpected contexts.
I don't wake up in the morning and think about Franz Kline.
11 perspectives
6 perspectives
5 perspectives
2 perspectives
1 perspectives