I think Naomi Klein was very astute with her book 'Shock Doctrine.' We make money on disaster.
Sentiment: POSITIVE
Susan Boyle having a meltdown is not controversial. It's human for a 48-year-old recluse to get a little wigged out when she finds herself on the world stage overnight.
Sometimes you learn more from films that aren't terribly successful and, indeed, sometimes you learn more from real disasters than you do from the ones that succeed.
When I started to write 'Hannah's Child,' I realized that this had to be a book of passion, to have a certain kind of vulnerability. I think that people respond to that.
The economics profession advances by one confusing financial disaster at a time.
As an actress for most of my life, I am profoundly familiar with poverty.
We have a real role in how our own collective lives, our nation, and our world and society turn out. Seizing those opportunities is important, and disasters are sometimes one of those opportunities.
Certainly I'm still mining my experiences as a journalist. I think it's no coincidence that all three of my novels basically are about how people act in a time of catastrophe. Do they go to their best self or their worst self?
One person's disaster is another person's talking point.
The ouster of Jill Abramson as executive editor of 'The New York Times' sent shock waves through the media landscape. Reports that she was fired thanks in part to a soured relationship based on the 'Times' alleged sexist pay discrepancy only made those shock waves stronger.
I think Lena Dunham is a very bright and very interesting writer, and what she's accomplished at such a young age absolutely impresses me.
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