I rode it once, which was up the driveway in the opening credits of the show. I didn't know how to stop it. I actually nearly killed the director of photography, and I smashed into the sound truck.
Sentiment: NEGATIVE
I stand on the sidewalk watching it because the responsibility is mine and I must, I take a very firm hold on the handles of the baby carriage and I wheel it into the traffic.
Filming is a witnessing process. You don't try to control it, even though sometimes you wish you could because it can go really, really wrong for you.
Richard Leacock and I ran into a guy who knew how to carve up a camera, and we had him carve one up for us. We had him chop it down and change the gears from metal to plastic, which would cut down on the sound it made when it was running.
I stumbled into this business, I didn't train for it. I yelled 'Action!' on my first two movies before the camera was turned on.
Any time I wind up in the lane where you can't quickly turn off of it and it's turning into the freeway, I just start screaming until I'm off of it.
The director took my face in his hands and asked me to show him my teeth, as with a horse. This happened on a Wednesday, and by the following Monday I was shooting.
I was hit by a car once on my bike, but I still rode home.
This directing thing just sort of fell my way and landed in my lap.
My mum used to ride, and when she was mucking out, I always wanted to sit on a horse. And if she took me off, I'd scream my head off.
I can't remember ever being told how to ride.
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