When you're making a pilot, what you're mostly thinking is, 'Please let this be a real job, please.'
Sentiment: POSITIVE
I never intended to become a professional pilot. But, as I became more curious about aircraft, and, well, not being John Travolta, I realized that the only way I was ever going to fly a jet is if I got a job.
For the last four or five years, I had been in the position where I didn't have to take a pilot. I took this one because the script and the people were terrific. It never frightened me. As we were doing the pilot, I could tell that it was working.
I always wanted to be a pilot.
It is cool to make a pilot because you get to do all the fun stuff, and then you get to leave when all the tough stuff starts.
I've done a lot of pilots. A lot of shows. You're young and you do a job just because you know someone gave you a job.
I'll admit I wanted to be a pilot, originally.
The funny thing is that making a pilot is sort of an audition, at least for me. There's something psychological there, where you're sort of asking for the job while you're acting. And then when it's been picked up, it's a completely different psychological dynamic.
A pilot is like the most extensive dress rehearsal you can ever imagine, because the writers are learning about the actors, the actors are learning about the characters.
For someone making a pilot, assuming the talent is there and you can maneuver the system properly, it's just a matter of standing your ground and trying to make something great until you are making enough money for the studio that they let you keep making it.
Like, to do a pilot, you don't know what's going to happen with it.