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I'm a director's actor; I'm a storyteller's actor.

I'm a pretty hands-off director. I let people try things, and if it gets over-jokey, then I'll try and rein it in a little bit.

I think that's the key to being a director: to be able to get the shot and move on quickly.

As a director, you see something in someone; you know it's there, you just got to go get it. You do that with any actor. That's your job.

Now I'm kind of established as a director, I much prefer directing to writing.

The director is the ultimate creative arbiter of what's going to happen. And as a director myself, you really appreciate collaborating with people who are trying to help you find what you need and what you want.

I'm really a director's actor. I rely heavily on a director.

I'm the kind of director, at any given moment, an idea occurs to me, I'll just do it.

It's very rare that you get a director that lets you be creative and bring what you feel your character should do or should be.

I'm definitely moving more towards directing now.