Show me a Scorsese film, and I'll show you a movie where he's taken risks. It's just his nature. He's an artist, and artists take risks. He always does what he believes in.
Sentiment: POSITIVE
When you're a director, and you look at Scorsese's work, he's always challenging us to push the envelope and break the rules. Someone like that is necessary and a godsend.
Scorsese will only work with brilliant material. And everyone wants to work with him.
I mean, Scorsese's a genius, and that's one way of shooting.
Martin Scorsese is one of the great filmmakers of all time.
I think, for me, Julian Schnabel set a great precedent in being able to cross over so successfully. I feel like his artwork is kind of big, grand, and bombastic, yet the films that he makes are very beautifully sensitive, and I just feel that his filmmaking sensibility is very different from his artwork.
Martin Scorsese, everything he does, I've got to see. And Jack Nicholson, I've got to see what he does.
I would wish for any one of my colleagues to have the experience of working with Martin Scorsese once in their lifetime.
You spend so much time developing a character when you do a film; so much of your work is done before you get set to shoot because you've been working on the character: the way he walks, the way he talks, what might upset him, what might make him happy.
I find it hard to understand why Scorsese has never called. You know, given the natural menace I bring to the screen.
It's not a film-maker's job to explain his technique, but to tell his story the best way he can.
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